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Dharma for the Wasted: Zen Buddhism from a Beat Perspective
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Welcome!

The Beat movement of the 1940s and 1950s changed the face of literature and its influence inspired the counterculture of the 1960s that changed the face of America.  It brought us the ideas of poetry with the imposed limits of meters and rhymes and the idea of spontaneous prose.  Its founding fathers include Jack Kerouac, Allan Ginsberg, Gary Snyder, and Wiliiam S Burroughs.

In addition to embracing a life free of societal conditions, the members of the Beat movement found a new understanding in the embrace of Zen Buddhism, particularly from the Japanese standpoint.  Their beliefs shaped and changed the way we look at the novel, poem, and prose in general.  In this class we will examine the basics of Zen Buddhism, from its start in America and to its influence on the Beat movement and wildfire spread throughout the counterculture.

Course Materials?

No Special Transmission outside the scripture
No dependence upon wors and letters
Direct pointing to the human mind
Seeing into ones own nature and attaining Buddahood.

This class is based around the concept that the level of understanding of the course is based upon ones own interest.  As far as the course materials are concerned, this class is based on deep, in depth conversation, so do not take this class thinking it will be an easy 'A'.  You will expected to be versed enough to maintain in depth discussions on Zen Buddhism and the Beat Movement.

The RECOMMENDED text include: Jack Kerouac's Dharma Bums, Gary Snyder's The Gary Snyder Reader, and Richard Hughes Seager's Buddhism In America.  It is also encouraged for members of the class to search out other sources of information, for all you know it could be next semester's recommended reading...

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And by many minds did they come to see the Light: If you have any questions or comments feel free to email

This I entrust to Mah?k??yapa